“Novel-Fading” – a learning experience.

In November I wrote a short novel, “Minding Tomorrow”. Then I took two months off the actual writing to edit it and think about the next novel.

In February I wrote a novella, “Monster Story (working title)”. Then I took two months off to keep editing novel number one, and do a bit of editing on number two.

In May I wrote 25,000 words of a planned 60,000 word novel, “Human Danger (working title)”. I didn’t finish it, even though I kept writing into June. The reasons:

  • The first two stories had been very clear in my head in terms of plot, characters, ideas, technology, and themes for many years each. I’ve thought about them as movie plots, TV shows, comics, and computer games alongside the novels they finally became.

    However, in May I decided to have a go at a story idea that really wasn’t fully developed. I’ve actually had it in my head for much longer than the others, and many of the science fiction elements are stronger. My main problem is that the characters and final plot direction were sort of lacking. I thought “If I just start writing, these will come to me!”

    It turns out they did come to me, but really slowly. It was at about word 23,500 that I thought “Oh! Now I know what I’m writing!”

    In other words, I’d spent a month writing when I should have spent a month thinking.

  • Another reason I stopped was because the pace was really dragging. Instead of working in an unbounded universe created entirely by myself, this novel is based on existing work. I had to constantly look through reference material at every step, to make sure I was keeping everything straight. And I knew that a lot of this picky detail would be edited out afterward, but I didn’t know WHAT would stay or go.

    I thought that working from an established reference point would help me write quickly, so thought 2,000 words a days would be possible. It turned out that I was struggling to get 1,000 words per day.

  • Finally, I wasn’t strict enough with myself. Instead of saying “I must write 1,500 words each day, and if I miss a day I need to catch up by the end of the month” I lapsed into “If I don’t write one day, that’s fine, I’ll only count the days I DO write, and I know it will take longer than just May, and I can keep revising my word count goal downwards as it gets trickier…”

    This resulted in me just not writing anything on a day which I felt uninspired or didn’t have enough time to write a good chunk, instead of just bashing out as many words as possible.

My plan with “Human Danger (working title)” is to put it on the back burner for a while. It was certainly a learning experience, so it wasn’t entirely wasted effort. I’ll file it with the four other quarter-finished novels sitting on my hard drive, think about it for another six months, and re-start it again next February.

Then I had two months off… in which I released “Minding Tomorrow” and continued editing “Monster Story (working title)” (seriously, I need to come up with a better title for that one, suggestions in the comments).

Which brings me to my planned August novel… which I’ll write about tomorrow, I’ve got to go get ready for a juggling show now.

Oh, the title references “Pod-fading”, the act of letting your podcast fade away, leaving a series of podcast episodes with no real end point.

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New Cover Art for “Minding Tomorrow”

Minding Tomorrow front cover

I released my first completed novel, “Minding Tomorrow”, for free a few months ago, and so far the reception has been really good. I’ve had loads of great emails from people telling me they’ve enjoyed it, a podcast review by Chris from the M-Brane SF blog, and even a few donations via the PayPal tip jar.

I always wanted some kind of cover art, even though the novel only exists in electronic versions. The image I had in mind was an anonymous man with a black suit, white collar and red tie (a reference to The Son of Man by Rene Margritte) with a blank face, and a pair of chunky-rimmed glasses (a reference to some key technology in my novel). I wanted it to look clean and iconic.

I could have made it myself, but the graphical style I wanted isn’t something I’m capable of creating. Instead I thought it would be easier to pay someone else to do a far better job than I ever could.

Stefan Kernjak’s work caught my eye, and I subscribed to his blog. He posts new images every day, so I soon got a feel for his work. His vector-based images had the exact cleanness of line that I wanted, and the characters he creates with simple shapes really come to life.

I was almost completely sure I wanted to ask Stefan to make an image for me, and then he posted a work-in-progress of a late Father’s Day card. It featured a faceless man with a black suit, white collar and red tie. When I saw this I knew he’d be able to create exactly what I wanted.

After a few emails he’d agreed to give it a go, and I gave him the design brief. He emailed back his first idea, which was completely different than the image I first had in mind, but interesting in ways I hadn’t even considered. I gave a few notes asking for some minor changes. When he sent me the second version, I could find nothing wrong with it at all. In other words: probably the easiest working relationship I’ve ever had.

I’ve had the final image for a few weeks now, but I’ve only just had time to add the title text. Now I need to work out how to include a cover image in an ePub file… I’ll get back to you in a few weeks on that one…

What do you think of the cover? You can click for a hi-res version. I hope you like it, as Stefan is currently working on a cover for my next novel, “Monster Story (working title)”.

Posted in Podcasts, SFBRP, Writing | 2 Comments

Arctic Trip, July 2009

I’m nearing the end of my summer holiday. I’ll be doing a series of blog posts about what I’ve been up to, with photos and maps and everything, but not until I have time to do the writing. Say, when I next have a week on a cruise ship with not a lot else to do.

Like this coming week!

I’ve known about the trip for a while, and I’m really excited about it. Technically I won’t be visiting a new country, but I’ll certainly be going to some unique destinations. Here’s the breakdown:

The above map was made over at Sosauce.com and by following that link you can zoom in stuff.

I fly from Zurich to Oslo, then wait 7 hours in the airport. Then I fly to Tromso, then to Hammerfest, then to Honningsvag, which is as far north as you can fly and lang in Europe. From there I’ll visit the “tourisz version” of the northernmst point in Europe, and spend the night in a hotel.

From there I join a ship then sail north. There are some islands halfway to Svalbard, but I couldn’t find them on the map. I’m sure that will just be scenic cruising. But then we land at Spitzbergen, Svalbard, which is pretty much as far north as you’ll ever get unless you’re taking a trip to the North Pole. It’s so far north, one of the tourists attractions is a 24 hour sun dial.

This kind of remote is so cool I can’t even imagine it. I want to go hiking when I get there, but I have to hire a rifle to leave the city limits… in case of Polar Bears!

The next stop is way south, slightly below the arctic circle (it sounds strange when I read that out loud), in Iceland. I leave the ship in Akureyri, then fly over to Reykjavik. I then need to cross from the local to international airport, which means I’ll have maybe two hours to see the city. I’ve been to the city before, but pretty much drove past it and back again from a long truck drive. I really need to look up what I can do in the city in under an hour.

Then I fly back to Zurich (via Berlin) just in time to perform at the Feldkirk Gauklerfestival, which is our first streetshow festival of the year. That we didn’t get more festivals in July and August (but 3 in September) is the reason we’ve had such a long holiday. And the reason why I had to take a work trip in the middle of it all.

Anyway, I’ll be sharing photos, and maybe videos, on my return next Friday. Other blogging will continue, as I have things I want to write and post.

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EJC 2009 day 8

Today was a slow, very hot day. I got up late, and went looking for Pola. I found her in our hammock, asleep in the shade between two trees. I guess I didn’t wake when she came in to get it sometime in the morning.

I spent a while writing emails and uploading photos, but the info tent got too hot. So I went outside. Where it was even hotter. In the end I sat under some trees and watched people juggle.

After some food I thought I’d check out the parade. But then I couldn’t be bothered to join in, so cycled into the city center. There I ate ice cream and drank coke and read a book in the shade. Alesandro was hosting the games, so popped over to ask some advice, and we bashed out a list of games, an order for the games, and gave him various suggestions of things to do in the various challenges.

As I was the first juggler at the games arena, I had a quite relaxing time. Of course, after an hour or so, the parade arrived, and the arena was soon PACKED! I thought it would be a perfect place for the games, but it wasn’t. Far too small, it turns out.

There was a real party atmosphere, with people dancing to the samba marching bands, and throwing water around, and climbing on to the high buildings around the square.

I’d saved some seats in out of the sun, and finally the Berlin crew joined me. And then the games began!

They started with a torch relay, then a burning arrow shot into a bowl. Which promptly melted onto its wheely bin stand. It was a great opening ceremony.

Bar from Israel won the five ball endurance. I dropped out right away, because I was trying to get a shot for a video project, and stood too close to the burning bowl of fire, and got a face full of burning hot smoke.

Bar also won the 7 ball endurance, and came second in the 5 club endurance. Along with coming third in the Fight Night last night, I think this makes him the best juggler at the EJC. Or something.

Some games suffered from the overcrowding. Two people stumbled into me during the club balance endurance, a game I normally do quite well in. This meant I knew to keep clear of others during the coin juggling game. I came sort of joint second in this one, meaning I was one of two jugglers who dropped on the last trick (two up pirouette). I got no prize for that place, though, as the only prize was the cash.

3 ball Simon Says was a bit frustrating. I followed instructions exactly, but then a man dressed as a lion came and knocked the ball out of my hand. Apparently Matias and I were the only jugglers who followed the “Simon says pull your trousers back up” instruction. This meant that, once Matias dropped, I was the only one left with my shorts returned to the normal position. It turns out half the audience agreed with the decision to knock me out way after the fact, and the other half were as confused as I was. Oh well.

The overcrowding really came to a head with the three club combat. The hosts of the games really couldn’t control the players, and most of the audience couldn’t see what was going on due to the eliminated players standing up around the edges. After four completely mad games, the winners from each round fought in the final. This final consisted of Jochen (of course), Alvaro, myself and some other guy I don’t know. I came third, Jochen knocking me out and then going on to win.

Afterwards Jochen said “You know, I didn’t mean to knock you out so quickly!” which made sense, as in such a situation, with a big audience, we normally try to play a bit, to raise the tension, to make a few faints and jabs for show. He simply missjudged the distance. I’d thought at the time “Wow, Jochen’s really serious about winning… not very sportsmanlike!” I don’t mind though, he’d probably have won anyway, and I think I won the same game last year.

Inexplicably, after the crowd-pleasing triumph of Jochen, there was another game: ball on head combat. As the final game it was sort of an anticlimax.

Then the tossup, in which I didn’t toss up, but did juggle (for personal reasons). Overall the games were a big success, although they did last a long time. I knew they would and thats why, when asked about who many games to play, I said 10 was plenty. In fact, they could have done without the 2 diabolo endurance (pointless).

After the games, Pola and I and other Berliners visited Dominos pizza again. By the time we got back to the convention site, the ska band was playing, and the concert/party was in full swing. I dropped off my things at the van, then went to the 24 hour hall to play combat. I did some video editing too in between all that. Combat was fun tonight, and the lack of people made the games very relaxed.

Then I popped over to the info tent to upload some photos. It was closed so I couldn’t sit down at the table inside (boo) but the wifi was still on (yay) but nobody could use the computers (boo) but that meant all the bandwidth was just for me (yay). I’m currently sitting outside on a beanbag, listening to the band, and catching glimpses of the show in the renegade tent. A very pleasant last evening at the EJC.

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EJC 2009 day 7: Gala Show

The EJC Gala Show is a variable affair. This year’s wasn’t one of the best. Some of the acts were amazing, of course, but this kind are typically the ones I’ve seen before.

Here’s the rundown:

We show our tickets and spend some time under balloons. This is always a lot of fun. The balloon sculptures went above and beyond anything I’ve seen. Not only did the balloon artists decorate the show venue, they even did what the technicians should have done at the start of the week, and covered the skylights around the stage. With tightly woven black balloons! I can’t even imagine how much work that took.

The host of the show, I don’t recall his name, was this guy:

He had various costumes and characters, all them funny and obnoxious in equal parts. I really didn’t like so much of what he did, but at some points found myself grinning and laughing along with his despicable antics. Then I’d think “No wait, I hate this guy!” When performing for an international audience, I understand you can’t rely entirely on spoken comedy, so physical comedy is a good way to go. Unfortunately this resulted in long sketches between each act, which didn’t help with the flow of the show, and didn’t help introduce the following acts. And miming a masturbating and ejaculating chimpanzee was just weird.

So, the first act: Jens Sigsgaard juggled some balls. I liked this act a lot. I’ve commented about it before, that it is one of the best examples of juggling-lead body movement. So often you have dance and juggling, but the elements could be performed separately, but Jens has a style where each relies so heavily on the other they couldn’t be split at all.

Second act: Florian (spelling?) Lestag (even more unsure about this spelling). This is the same guy who blew me away with his club and walking stick act in the Experimental Show. But in this show he did a remarkably dull devilstick act. With a really bizarre “costume”.

Third act: Jeanine performed her Ball-dance routine. I’ve seen this before many times, but still really like it. She was also without her normal costume, but to be honest I liked her less formal attire better. Here are some nice photos, none of which show her face:

Shadow on black.

Forth act: Kagu. A small boy juggling balls in an adequate way. But haven’t we seen him perform on the open stages at the last three EJCs, including this one? Something new, please!

Fifth act: a guy in a hoop, pity I can’t remember his name. I like this skill a lot, and he performed with style. No costume… but I think that was the point.

Sixth act: guy with clubs. Some nice skills, but not really a whole lot going on except the nice skills. However, the skills were enough to make this act one of my favourites of the show. Pity he had no costume.

Seventh act: Agnes from Germany and her amazing cycling skills. A pretty standard trick cycling act, with all the standard tricks. You notice I’ve been complaining about the lack of formal costumes so far? Well, maybe they’re all trying to avoid costumes like this one. It was the worst costume I’ve ever seen. And then she took her top off in the “Now look at me being sexy!” way, and the costume got even worse! And her music choice was bizarre. Random songs would start and stop in random places… Golden Eye into My Way? No idea what was going on there.

Still no interval… turns out there wasn’t one. For so few acts it certainly felt loooong.

Eighth act: Defracto. A good act… but didn’t we see this on the open stage last year? A standing ovation on an open stage is pretty much an invite to the following year’s gala show. I also saw it at Chapter 2 and the Berlin convention. Good characters, interesting tricks, fun attitude. What’s not to like? Well, I do have some slight issues, but I think they’ll be solved with more performing experience.

Ninth act: Sergei Ignatov Jn. juggled some rings. Then some balls with blades that I think, maybe, make them a bit more floaty in the air. Sergei is a professional, so performed his act flawlessly. It’s a pity nothing in his act “grabbed” me, except the fact he can juggle 5 ring backcrosses. And his costume was a bit strange. And his act seemed to last only 2 minutes.

Tenth (last) act: Gricha (I know I’m getting this name wrong) from the Ukraine. Dressed as a conductor, juggled balls and span around a whole load. He’d put water on his head, so when he span he sprayed drips off in all directions. I loved this effect. He did three balls (with triple pirouettes), five, nine and then seven. Again this act felt very short, but maybe it was his high energy rather than lack of material.

The finale included a call for the entire orgs team to come on stage for a round of applause. Thanks to them all for making this convention a success.

Overall, the show was alright. A bit too juggle-centric. I like Gala Shows to have variety, and expose jugglers to things they wouldn’t normally see.

Thinking in the box comment: if you’re going to put on a gala show, pull out all the stops! Don’t just look to previous EJCs for acts, look outside. And if you book an act, at least make sure they have a costume. I don’t mind seeing people try tricks wearing shorts and tshirts, but the place for that is on the open stage. All of the acts in the Gala Show should be the type that are almost too good to be in an open stage show.

And here’s the thing: except for there being two of these shows, and you had to have a ticket to get in, there was nothing that distinguished it from other shows here at the EJC. The Spanish, Special, Experimental and Wes-Patrick shows in the same venue all had better acts, as did the open stage shows. Of course you’ll have more “dud” acts on the open stage, but there shouldn’t be a single dud act in the Gala Show.

So what’s the point of the Gala Show? Tradition, I guess.

Thinking outside the box comment (though not very far): forget the Gala Show. It costs too much to put on, usually requiring the hiring of an off-site venue. The only thing it provides is a common experience for all the conventioneers, and they only feel obligated to attend because there is a ticket with cash value attached to the event. Without the ticket, nobody would care more about it than any other show.

Still book the same acts to perform at the convention, but put them in the open stage or other special shows. This way, no matter what show they see, the conventioneers will see at least one killer act at the close of the show.

This is what happened at the EJC in Ptuj, and you know what? It worked. Every open stage show had a ton of energy, and was packed every night. And nobody complained about the lack of a gala show.

I have other ideas about running shows at EJCs, but I’ll save them for another time. My conclusion for this year’s Gala show is simply… nothing more or less than any other show at the EJC.

Posted in Juggling, Life, Photography, Podcasts, Random, Travel, Videos | 3 Comments